The Omani literary scene is currently flourishing, led by authors such as Jokha Alharthi, whose Celestial Bodies won the International Booker in 2019: she provides a foreword to this collection by Hamoud Saud, another prominent Omani writer. He writes in Arabic, and he has already been translated into Azerbaijani, Japanese, and Spanish. In his translator’s…
Time is one of the grand themes of literature and art. A new comics anthology, Delay, brings together 11 pieces of graphic fiction in the short form from various Southeast Asian artists including Singapore, Malaysia, Indonesia, and the Philippines, and connects the concept of time to such situations as feeling stuck, waiting, hesitation and anxieties…
Set in Singapore, Vancouver, London, and the spaces in between, the short stories in Heaven Has Eyes offer an imaginative, penetrating look at the complexities of migration, belonging, and a desire to find a home in the world.
Although Razia Sajjad Zaheer’s collection Darkness and Other Stories was written following India’s partition in 1947, it simmers with relevance today. Women still confront misogyny and sexism. They continue to be judged for their choices—sometimes by their own kind—and must often accept a lower social status.
Genpei Akasegawa (whose given name was Katsuhiko Akasegawa) was already famous as Neo-Dadaist artist when he began writing under the name of Katsuhiko Otsuji, and he soon proved himself able to work fruitfully in both domains, earning numerous awards. I Guess All We Have Is Freedom, beautifully translated by Matt Fargo, brings together five of…
I was born in Bombay and lived there, not far from the Gateway of India, for the first sixteen years of my life. I left the city by the bay soon after turning sixteen. When I returned decades later, I barely recognised it. The city and I had both gone through dramatic changes in the…
Across fifty-odd flash stories (particularly short pieces of fiction) in The Woman Dies, Aoko Matsuda and translator Polly Barton lean into the weird, nitty-gritty world of womanhood. For the most part, there is no immediate throughline connecting the stories—and their rich inner worlds—to each other. Yet eventually, the lines blur enough for images of women,…
V Vinicchayakul, the pen-name of Vinita Diteeyont, is prolific by any measure, reportedly with more than one hundred novels under her belt, many adapted for television and film. Only a very few have made it into English; had not she been championed by translator Lucy Srisuphapreeda, perhaps none would have been.
A Swiss-Italian-Spanish author fluent in six languages (including English), Vanessa Fabiano first traveled to China more than thirty years ago and resided in Shanghai and Beijing around the time of SARS in the early 2000s. Her new collection of related stories, Chinese on the Beach, makes use of this timeframe, a period of growing friendships…
Think of Cold War communist insurgency and guerilla warfare might well spring to mind. Sometimes it worked, building from the hinterlands to capture the capital: see Cuba. Sometimes it failed: see Che in Bolivia. And sometimes the revolutionaries remained stuck in the wild, undefeated but unable to seize the state.
A nascent media mogul battling for political survival, a love triangle fractured by the SARS pandemic, the ruthless choreography of Shanghai’s social scene—each story in Chinese on the Beach explores the particular madness of living through history, when old rules dissolved overnight and new ones hadn’t yet formed.
Written in the cursive-like Nastaliq script, and in an adaptation of Perso-Arabic alphabet, Urdu has become caught in religious silos. It “looks” Islamic, and therefore, in popular imagination, belongs to just one community in the multilingual universe. Anthologies of Urdu literature—in Urdu and in translation, especially in English—seem to have perpetuated this simplistic narrative of…
There is no obvious throughline that runs through this new collection of Osamu Dazai stories; only a series of Dostoevskian protagonists—young men who smoke too many cigarettes, cower in social situations, and who are consumed by deep insecurity. Written in the second half of the 1930s, Retrograde has been arranged and translated by Leo Elizabeth…
This new collection with an unbeatably eye-catching title opens with the eponymous novella. “Courtesans Don’t Read Newspapers” takes more than a few (albeit short) chapters to get to the heart of the story: the red-light district in Kashi (also referred to as Varanasi or Banaras in the novella) is slated to be shut down to…
Izumi lost her husband and her job. Now she spends her time doing craft projects like sewing handmade stuffed animals. She has come to realize that she spent 20 years acting the role of “successful woman”