Excerpted from Takoyaki Tales by Christopher Green; reprinted with permission from Wilton Square Books. Jeremy rode the 8:19 train to Tokyo station every weekday morning. A long-term resident of Tokyo, he had seen fighting passengers, ill passengers, sneezing, snoring and vomiting passengers. But these were rare exceptions. Most people spent the time in silence, using…
The Book of Damascus, an anthology of ten short stories and one non-fiction piece, gives English-speaking readers a chance to see the world through the eyes of Damascenes. The non-fiction piece, I Write to You from Damascus, by Khaled Khalifa serves as a preface. Khalifa, the internationally-renowned author of novels such as In Praise of…
Anthologists are wont to label their collections “the best” or “the greatest”. In The Best of Urdu Short Stories, Mehr Afshan Farooqi does the same. With the focus on the a particular genre, called afsana or kahani in Urdu, she puts her spin on “best” by bringing together new writers along with the canonical Saadat…
Osamu Dazai’s Good-Bye is a collection of short stories picked from different stages of his career, most of which have been translated into English for the first time. The final story, which shares the title of the book, was Dazai’s last work before he committed suicide, and remained an unfinished novella at the time of…
A teenage boy goes to a concert of his favourite rock band with his father only to become a victim of mass shooting. In a parallel lifetime, he returns from the concert completely unharmed while his father suffers life-altering injuries. Which of these two versions of their lives is “true”? Swell, Son Bo-mi’s collection of…
Rich in detail and the range of characters it features, The Unrepentant is as an impressive collection of 14 short stories that sheds light on the diversity of life and experiences in the Malay peninsula and Singapore during and in the aftermath of the Malayan Emergency (1948-1960), in which the communist pro-independence movement conducted guerilla…
Gooday Nagar is a collection of short stories about the people (or, better, “characters”) of and around the eponymous fictional Indian town. If this sounds a bit like RK Narayan’s classic Malgudi Days, that’s no accident; one of the stories even references it. As a stylist, author Maithreyi Karnoor is hard to pin down. She…
In 2020, when the pandemic forced the world into lockdown, M Lin—who had moved to New York City from Beijing first as a film student—began writing fiction. The result was the stunning collection of nine stories titled The Memory Museum. These stories touch upon a wide range of experiences confronting China’s post-90s generation: seeking a…
Ichiyo Higuchi, a contemporary of Anton Chekhov, Henry James, O Henry and Colette, may well be the most acclaimed and influential writer you have (perhaps) never heard of. Revered in Japan (she appeared in the ¥5,000 banknote for two decades this century), she is far less well-known in English than either late 19th-century European writers…
The Omani literary scene is currently flourishing, led by authors such as Jokha Alharthi, whose Celestial Bodies won the International Booker in 2019: she provides a foreword to this collection by Hamoud Saud, another prominent Omani writer. He writes in Arabic, and he has already been translated into Azerbaijani, Japanese, and Spanish. In his translator’s…
Time is one of the grand themes of literature and art. A new comics anthology, Delay, brings together 11 pieces of graphic fiction in the short form from various Southeast Asian artists including Singapore, Malaysia, Indonesia, and the Philippines, and connects the concept of time to such situations as feeling stuck, waiting, hesitation and anxieties…
Set in Singapore, Vancouver, London, and the spaces in between, the short stories in Heaven Has Eyes offer an imaginative, penetrating look at the complexities of migration, belonging, and a desire to find a home in the world.
Although Razia Sajjad Zaheer’s collection Darkness and Other Stories was written following India’s partition in 1947, it simmers with relevance today. Women still confront misogyny and sexism. They continue to be judged for their choices—sometimes by their own kind—and must often accept a lower social status.
Genpei Akasegawa (whose given name was Katsuhiko Akasegawa) was already famous as Neo-Dadaist artist when he began writing under the name of Katsuhiko Otsuji, and he soon proved himself able to work fruitfully in both domains, earning numerous awards. I Guess All We Have Is Freedom, beautifully translated by Matt Fargo, brings together five of…
I was born in Bombay and lived there, not far from the Gateway of India, for the first sixteen years of my life. I left the city by the bay soon after turning sixteen. When I returned decades later, I barely recognised it. The city and I had both gone through dramatic changes in the…