Although no longer as true as it was, East Asian trade in the early-modern period is often presented from the perspective of one more Western nation or another: the Spain’s Manila Galleon trade, the Portuguese spice trade and unique base in Macau, the Dutch East India Company, and latterly, the British via Canton and Hong Kong.
Southeast Asia
On a recent warm evening in August, I settled into the lush gardens of the Agung Rai Museum of Art in Ubud, in Bali’s hill country, for screenings of two remarkable films: “Island of Demons” from 1933 and “Headhunters of Borneo” from 1936. Directed by Friedrich Dalsheim with Victor Baron von Plessen and, for the first, Walter Spies, these works capture Bali and Borneo under Dutch colonial rule, a decade before Indonesia’s independence in 1945.
This book tells the inside story of how Singapore defied considerable odds to develop a dynamic economy and cohesive society in the 60 years since the city-state’s independence.
Through in-depth interviews with some of the nation’s most influential leaders—Abdullah Tarmugi, Chan Sek Keong, Cheong Koon Hean, Halimah Yacob, Peter Ho, Khaw Boon Wan, Lim Siong Guan, Ravi Menon, Seah Jiak Choo, Tan Yong Soon, Eddie Teo, Teo Ming Kian—How Singapore Beat the Odds explores various facets of public policy that shaped Singapore’s remarkable transformation.
Bornean-Australian novelist, playwright, poet, rapper and visual artist Omar Musa comes with a bit of a pedigree. His debut novel Here Come the Dogs was long-listed for the International Dublin Literary Award and for the Miles Franklin Award. He was named one of the Sydney Morning Herald’s Young Novelists of the Year in 2015.
Nine years in the making, Jemimah Wei’s debut novel is a complicated story of two sisters who found and lost each other amidst the busy, urban, competitive island of Singapore. It provides a glimpse of Singapore without the glitz and glamour, a Singapore in which the expectation of excellence drives a wedge through even the strongest bonds of sisterhood.
The marketing blurb for Amitav Acharya’s most recent book From Southeast Asia to Indo-Pacific begins, rather portentiously, “Southeast Asia was created by geopolitics, and it might die with it.” The book itself, thank goodness, is a considerably more measured (and clearly-written) overview of how Southeast Asia and ASEAN came to be more or less synonymous and how the region, as a region, might fare in the newly-turbulent world of the second quarter of the 21st century.
Bali 1952: Through the Lens of Liu Kang documents a seven-week trip to Java and Bali in 1952 by four China-born and Shanghai-trained Singapore artists—Chen Wen Hsi, Chen Chong Swee, Cheong Soo Pieng and Liu Kang—to sketch and paint tropical beauty.
Ma Thanegi’s roots are deeply planted in Myanmar. She’s the great-niece of a noble scoundrel who once ornamented the court of King Thibaw, her country’s last king, and the great-granddaughter of one of the last queen’s ladies-in-waiting. The daughter of a sophisticated, mercurial intellectual and the brilliant, tempestuous beauty who was his wife, Ma Thanegi has spent her life in Myanmar with the ambition of revealing its beauties and virtues to the rest of the world. She’s achieved her goal through her writing, with six books written in English and published internationally, but until now her own story has been told only in fragments.
It started as a British experiment in 1933: Could the Malays form an effective modern fighting force? From an experimental company of 25 raw recruits, within 10 years the regiment created legendary heroes in their gallant last stand against the Japanese in Singapore, February 1942.
From 1976 to 1989, Hai Fan was part of the guerrilla forces of the Malayan Communist Party. These short stories are inspired by his experiences during his thirteen years in the rainforest.
You must be logged in to post a comment.