Keith Dalton was a journalist with foreign correspondent dreams. He had them as a 10-year-old. They never went away. Dalton was 25 when he crammed a typewriter in his backpack and set off from Australia to Southeast Asia, convinced he could be a self-made foreign correspondent. Writing as he went, Dalton took buses, trucks, trains, planes, passenger ferries, cargo ships, and canoes.
Set in Singapore, Vancouver, London, and the spaces in between, the short stories in Heaven Has Eyes offer an imaginative, penetrating look at the complexities of migration, belonging, and a desire to find a home in the world.
Robert Strange McNamara was arguably one of the worst public servants in post-World War II American history. Decades after the Vietnam War ended, McNamara, who served as US Defense Secretary in the Kennedy and Johnson administrations, admitted that as early as 1965 he believed that the United States could not win that war yet he orchestrated and publicly supported the Americanization of the war, sending more than 500,000 American servicemen to fight in what he believed was a hopeless cause. All the while, he kept telling the American people that the US was winning, even as he quietly recommended bombing pauses, troop ceilings, and negotiations with the North Vietnamese.
On 9 August 1965, Singapore was expelled from Malaysia, which had itself only become an independent country two years earlier. But Malaysia insisted that Malaysian troops be permitted to remain in Singapore. Singapore’s future Prime Minister Lee Kwan Yew later said that Malaysia’s insistence “stiffened our resolve” to “build up the Singapore Armed Forces”. The person primarily responsible for doing that is the subject of Ramachandran Menon’s new book Kirpa Ram Vij: The Volunteer Who Launched an Army.
In Western collective memory, Moscow, Peking, Pyongyang, Havana and Hanoi are remembered as centres of socialist revolution during the tense decades of the Cold War. Yet another Asian capital is often overlooked: Jakarta. After all, Indonesia was home to the largest non-ruling communist party in the world, and the country’s left-nationalist President Sukarno was a leading figure in the global anti-imperialist movement.
V Vinicchayakul, the pen-name of Vinita Diteeyont, is prolific by any measure, reportedly with more than one hundred novels under her belt, many adapted for television and film. Only a very few have made it into English; had not she been championed by translator Lucy Srisuphapreeda, perhaps none would have been.
Wars are always replete with tragedies, and the World War II Battle of Manila, fought between 3 February and 3 March 1945, is one of history’s greatest tragedies. An entire city was destroyed, millions of people were made homeless, and more than 100,000 civilians were killed as Allied forces liberated the Philippine capital from Japanese rule. Naval War College Professor Nicholas Sarantakes, with meticulous research and vivid prose, has written the definitive history of this battle, which was an American victory but, in his words, a “poisoned victory”.
I spend nearly half the year in Indonesia, so the Ubud Writers and Readers Festival always feels like a homecoming, the one place I can sit with local authors, journalists and historians, swap ideas about books and the country’s latest turns, and catch up with friends I only see once a year.
Think of Cold War communist insurgency and guerilla warfare might well spring to mind. Sometimes it worked, building from the hinterlands to capture the capital: see Cuba. Sometimes it failed: see Che in Bolivia. And sometimes the revolutionaries remained stuck in the wild, undefeated but unable to seize the state.
Malay folklore is peopled—if that’s the right word—with a variety of supernatural beings, ghosts, and spirits, which reflect cultural anxieties, historical beliefs, and the blending of animistic traditions with Islamic, Indian and Chinese influences. Given this tradition has been a fundamental part of local storytelling for centuries, it’s unsurprising that horror is a staple of the Malaysian film and publishing industries. Malay-language horror movies often outperform Hollywood blockbusters in the domestic market, and locally published horror fiction is popular, in both English, and Malay.
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