Unlike most memoirs about the immigrant experience that center around overcoming hurdles to build a new life, Jolie Phuong Hoang instead structures Three Funerals For My Father: Love, Loss and Escape from Vietnam around her father’s death as he tries to escape Vietnam by boat in 1985. Her younger sister also drowned on that journey. It takes Hoang three decades to come to terms with her father’s and sister’s deaths and her book tells their stories and how her father did whatever he could to bring his family to safer shores.
Vietnam
“I’m going to tell you the truth,” begins the narrator on the first page of Kim Thúy’s latest, Em, “but only partially, incompletely, more or less.” To put an even finer emphasis on the point, she tells us a couple pages later, that “truth “is fragmented”—as indeed it must be when dealing with a topic as vast as the troubled history of Vietnam. Departing from its brutal colonial entrapment as a rubber producing outlet for the French, cascading through the desolation of the Vietnam War, finally culminating in the strain of exile that became the sole reality available to those who managed to survive, Em accomplishes in some 160 pages what has taken many historians volumes to tell.
Winnie Nguyen moves to Saigon in 2010 to teach English, but also to become a more resilient, stronger version of her biracial American self. Early in Violet Kupersmith’s new novel, Build Your House Around My Body, Winnie spots a banyan tree outside an old temple in Saigon and hopes she, too, can become like a banyan, “to encase Old Winnie completely in its cage-like lattice of roots and then let her wither away inside.”
A Vietnamese poet writing in Hebrew?
It’s 1979 and Huong tries to find cover as sirens blare outside. She and her two young sons have recently arrived in New Orleans after escaping Saigon and any sound of alarm—even a routine hurricane alarm test—brings her back to the war.
In 1995, twenty years after the formal end of the war, the United States and the Socialist Republic of Vietnam established diplomatic relations. The early 1990s marked a pivotal period for the country’s economy and politics, as well as on the diplomatic front, the improvement in relations among major powers: the normalization of relations with China came in 1991, and the accession to the ASEAN in the same year of the establishment of diplomatic ties with the USA. These political milestones brought forth changes in the economy for they also activated access for entrepreneurs, tourists, journalists and diplomats alike coming to Vietnam for various different purposes.
While Asian protagonists are no longer rare in young adult fiction, some cultures seem more prevalent in the genre than others. Think Jenny Han’s books and the various K-Pop stories, as well as Taiwanese-American stories like Loveboat Taipei and Rent a Boyfriend. In an apparent first, Loan Le’s debut novel, A Pho Love Story, adds to this list with a rom-com featuring Vietnamese-American teens. Although the details of the Vietnamese refugee experience may not be familiar to all teens, the restaurant setting and accompanying food most likely will be.
For my generation, born after the “Renovation” reform of Đổi Mới in 1986, “The War”—as most Vietnamese call what almost everyone else calls the Vietnam War—only exists in history books.
“The challenges faced by the Vietnamese people throughout history are as tall as the tallest mountains,” writes Nguyễn Phan Quế Mai in the first chapter of The Mountains Sing. This is no exaggeration: wars, famine and political revolution test her characters, various members of the extended Tran family, to the limit. This engrossing family saga, both Quế Mai’s debut novel and her first book in English, provides a fresh, and ultimately uplifting, perspective on the American-Vietnamese war.
When Emily Clements finds herself alone in Vietnam after her best friend suddenly departs for Australia, she tries to make the best of her opportunity to see Southeast Asia. Only nineteen, Clements quickly picks up the language and goes out of her way to meet Hanoians. This memoir of her year in Vietnam is not, however, a typical expat book about immersing oneself into another culture. Instead, it centers on the way women are conditioned to put our feelings last.
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