Canada’s answer to—whom? Jason Bourne?—is a lesbian forensic accountant of Chinese extraction by the name of Ava Lee. But in The Imam of Tawi-Tawi, her tenth outing, Ava isn’t this time tracking down missing millions but has instead been sucked into the global “War on Terror”.
White Chrysanthemum memorializes Korean comfort women—women forced into sexual slavery by Japanese occupying forces during World War Two. In her debut novel, London-based Korean-American writer Mary Lynn Bracht explores the effects of these women’s abductions on their families and on wider society, and celebrates the power of women to survive horrific circumstances.
Here we have planted the British flag among the ruins of the ancient capital of Singapura, the City of the Lion! Here we will advance the interests of the East India Company and raise the Malay people to their former glory. Sir Stamford Raffles is the man most often associated with Singapore’s colonization, and…
This is an ably edited and exciting collection from the intersection on the globe where East meets West, an area often neglected in surveys of world literature—there are few translations of works from Georgia available in English.
Yasutaka Tsutsui, born in 1934, is less well-known outside of Japan than other contemporary Japanese writers.
On November 18th of this year, a blaze killed nineteen people in a textile manufacturing district of Beijing. Most of the victims were migrant workers, scores of whom continue to live peripheral lives in makeshift, pop-up neighborhoods on the outskirts of major cities across China. In response to the tragedy, the city government instituted a…
For a number of logistic, commercial and territorial reasons, books rarely circulate much outside the market they were published in. Asian-published books can as a result often, regardless of merit, end up largely unknown outside a relatively small domestic market, something that goes in spades when the book was originally published in a language other…
Yuki Means Happiness combines, among other elements, two love stories—one of romantic love, the other of a woman’s love for a child not her own —an exploration of divergent cultural expectations, a warning about the terrifying ease with which we can do damage to each other, in particular, the ease with which parents can do…
Can the present save the past? Can the living save the dead? As South Korean author Han Kang revealed in a 2016 interview with the London-based magazine The White Review, these questions interested her during her twenties, only to resurface years later when drafting her novel Human Acts about the 1980 Gwangju Uprising and its…
Author Sangeeta Bandyopadhyay tackles the ultimate taboo in this clever novel which uses the metaphor of a mother abandoning her child to explore the artist’s struggle to fulfill the responsibilities of life as well as the demands of creativity.
Late Ming China didn’t have the “Nigerian advance-fee scam”, but if Zhang Yingyu’s contemporary The Book of Swindles is any indication, it had just about every other con ever tried. This collection of short cautionary tales is, according to translators Christopher Rea and Bruce Rusk, “said to be the first Chinese story collection focused explicitly…
As if reworking Shakespeare’s King Lear weren’t enough of a challenge, author Preti Taneja also tasks herself with turning the epic power-struggle into a call to arms for social change. Set between the murky corporate world of New Delhi and its interests in Srinagar, Kashmir, We That are Young is both a criticism of today’s…
As contemporary Korean literature receives increasing acclaim in English-language circles—Han Kang’s The Vegetarian won the 2016 Man Booker International Prize—it is perhaps inevitable that efforts are being made to introduce older Korean classics to the English language mainstream. One of of these is Sweet Potato, a newly-translated volume of short stories by Kim Tongin (or…
Eka Kurniawan is the Quentin Tarantino of Indonesian literature: a brash wunderkind, delivering gleeful references to pulp fiction, lashings of stylized violence, and an array of characters and scenarios that far surpass the tropes and clichés which inspire them. But as with Quentin Tarantino, one might occasionally wonder just how much substance lies beneath the…
Political myth is in no short supply in modern Singapore. In our most familiar histories, material progress and political quiescence are the natural products of visionary—if at times heavy-handed—leadership. Episodes of subversion and suppression are no longer swept entirely under the carpet, but seen as the inevitable growing pains of today’s glitteringly successful neoliberal city-state.