Three years ago, Deepti Kapoor’s Indian crime trilogy went through a bidding war, not just for the books—including translations in fifteen languages—but also for Hollywood film rights. As unusual as crime blockbusters set in India may be, Age of Vice, the first book in the trilogy, has catapulted Kapoor into the running for the hottest new crime writer of the moment.
Author: Susan Blumberg-Kason
Author Kyla Zhao got her start in publishing at the age of sixteen writing for the Singapore editions of prominent glossy magazines penning wedding articles for Harper’s Bazaar, then went on to Tatler and Vogue. She centers her debut novel, The Fraud Squad, in the world of Singapore glossies with a Pygmalion twist. The story is fun and while it could be tempting to compare it to Crazy Rich Asians or The Devil Wears Prada, Zhao’s novel distinctively stands on its own with its exploration of the role society magazines play in cities like Singapore and Hong Kong.
Coming from a literary family, Hajra Masroor and her sister Khadija have been referred to as the Brontë sisters of Urdu fiction. While Khadija was known for her novels, Hajra was a writer of short fiction and plays. A new translation of a collection of Hajra Masroor’s work, The Monkey’s Wound and Other Stories, by translator Tahira Naqvi, now gives English readers an opportunity to read eighteen of her stories, all centered around the hardships of being a woman in pre-Partition India and the new state of Pakistan. Masroor lived from 1929 to 2012 and started writing in the early 1940s, several years before Partition.
The two novellas in Shivani Sivagurunathan’s What Has Happened to Harry Pillai? take place on the fictional Coal Island in Malaysia, a setting she has used previously in a couple of other books going back a decade. Much lurks under the surface of this seemingly idyllic locale. In this latest book, each novella takes on the theme of loneliness and reinvention.
A literature-focused coming-of-age story reminiscent of Dai Sijie’s Balzac and the Little Chinese Seamstress, George Lee’s debut novel, Dancing in the River, chronicles the formative years of a boy named Little Bright who grows up during the Cultural Revolution in the Hubei countryside near the Yangtze River.
Sorayya Khan has published a number of novels that touch upon her family background—as the daughter of a Pakistani father and a Dutch mother—and the 1970s Pakistan of her youth. In her latest book, however, she turns to non-fiction and writes a family memoir, the content of which has informed her previous works of fiction. We Take Our Cities With Us is a heartfelt love story not just of her parents, but also of the places where Khan and her family have lived.
Ying Chang Compestine wrote her first children’s novel, Revolution is Not a Dinner Party, almost two decades ago. Despite receiving notes from readers asking for more stories set in her home city of Wuhan, she just could not come up with a compelling story or relatable characters. That is, not until the Covid-19 pandemic broke out in early 2020.