For those of us who live in Hong Kong, the past six-eight months have been a roller-coaster. The (it is almost now universally accepted) ill-advised extradition bill—the proximate cause of the discontent that has roiled the city—has been withdrawn, but too late to stem the tide of protest, which took on a momentum of its…
There is no earthly reason to write about the new off-Broadway musical Romeo & Bernadette except that it’s very clever. Mark Saltzman has repurposed some 300 hundred years of Italian song—Giordani through de Curtis with side trips via Rossini, Bellini, Leoncavallo, Cannio and Falvo—as songs and lyrics of a thoroughly modern (albeit 1960s-retro) musical.
In 1935, Ruth Day paid a six-week visit to her mother and step-father who were at that time living in Shanghai. When she returned, she published a short book on the trip. The book had a run of just 200 copies and seems to have quickly disappeared—but at least one copy found its way to…
In the dead of winter, a Frenchman arrives at a small guest house in Sokcho where Franco-Korean author Elisa Shua Dusapin’s narrator works in a dead-end job as receptionist and run-about. Sokcho is a nondescript seaside town not far from the North Korean border. In the summer, Sokcho is a beach resort, if not the…
The first few weeks of January, falling as they do between the two New Years’, are culturally relatively quiet. The Hong Kong International Chamber Music Festival, now the Beare’s Premiere Music Festival, has long been one of the major events brightening this relatively uneventful period.
At first hearing, Stories of the Sahara sounds improbable: about a half-century ago, a young Chinese woman from Taiwan decamps to El Aaiún in the then Spanish Sahara.
As China and the West look at decoupling, it’s worth remembering that the world has been through this several times since they first coupled three-quarters of the way through the 16th century. That’s when the Manila Galleon connected Asia and the Americas, a trade that was, to mix metaphors, oiled by silver.
If you’ve never met Arkady Renko, erstwhile Soviet and now Russian cop, his most recent set of cases, this time in Asia—well, Siberia, to be exact—is as good an opportunity as any to finally become acquainted.
If there is any work that typifies “Viennese operetta”—waltzes, romantic comedy, catchy tunes and a certain silliness—it is Franz Lehár’s The Merry Widow.
“Prima la musica” (“The music comes first”) once said opera composer Antonio Salieri (at least in the title to one of his operas). Perhaps as a consequence, opera has provided, once the words are dispensed with, other composers with marvelous opportunities for transcriptions and adaptions.
The Chronicles of Lord Asunaro is a curious little volume. In length, perhaps 10,000 words, it is long for a short story but short for a novella. The protagonist, a minor feudal lord in late Tokugawa Japan, was an actual person (apparently: like much else here, it is hard to be sure), his life heavily…
Some books are next to impossible to review. Silk Roads is one: encyclopedic in scope and structure, made up of several dozen short essays by almost as many different authors, each lavishly illustrated with indescribable photos of objects and places.
Surrealism is something of an outlier in mainstream English fiction, yet it seems to crop up with some frequency in contemporary Chinese-language literature, at least in those works that find themselves in English-translation. This penchant for surrealism can seem even more pronounced, or perhaps concentrated, in the wider Chinese world and diaspora: Dorothy Tse, Hon…
Ricco Villanueva Siasoco knows a good lede when he writes one: “Viva wants her boobs back”. So starts the first story in this debut collection.
Chinese soprano He Hui made her Metropolitan Opera “Live in HD” debut on 9 November in the lead role in Giacomo Puccini’s Madama Butterfly. This might not be quite the first time a Chinese singer has the lead in one of these international broadcasts—but then again, it might be—but it is still an extremely rare…