Hong Kong’s Musica Viva has incrementally moved from one full opera production per year—in December—to two. If this recent production of Mozart’s comic masterpiece is any indication, the smaller production in late September featuring entirely local singers has, over the past couple of years, matured and is hitting its stride.
It seems somewhat surprising that not a single one of Leonardo da Vinci’s several thousand drawings had ever been exhibited in Hong Kong, but that was apparently the case until the opening of the “Art and Science, Then and Now” exhibition, running at the City University of Hong Kong Exhibition Gallery through 15 December.
Japanese literature isn’t always neatly accommodated by the buckets often set out to categorize novels. Yoko Ogawa’s The Memory Police, about an island where entire classes of things, and the memories that go with them, just disappear, a state of affairs enforced by a malevolent and menacing special police force, could be placed in several…
While one might expect a text on linguistics from the title, An English Made in India is fact rather closer to travel-writing: no bad thing, for Kalpana Mohan in an engaging writer and the result is a pleasant and often erudite ramble around India. Along the way, she talks to school teachers in the hills,…
It is tempting to label Rollan Seisenbayev’s The Dead Wander in the Desert as an early example of what has now been come to be known as “cli-fi” (“climate fiction”): the book’s central motif, after all, is the human-engineered collapse of the Aral Sea.
By focusing on young singers, Opera Hong Kong’s summer semi-staged productions serve as one of the better crystal balls on Hong Kong’s operatic development. These late-August performances are the college basketball to the larger productions of the operatic NBA in the Spring and Fall, in which, if one is lucky, excitement and atmosphere can more…
Although Aigerim Tazhi is Kazakh, she writes in Russian. “I live in Kazakhstan,” she is quoted in translator J Kates’s introductory essay as saying, but I was born in the Soviet era. We had a common country then, a common capital (Moscow), and the main language was Russian. Therefore, in school we were taught…
The backstory—as given in the publisher’s blurb—to this English-language debut seems itself worthy of at least a short story: One of Taiwan’s most celebrated authors, Wang Ting-Kuo … began writing fiction when he was 18 and quickly took the literary world by storm, only to disappear from the literary scene when his soon-to-be father-in-law…
Much of early-modern history, up until the early 20th century, was characterized by empire—not just or even particularly the colonial projects of Britain and Spain, but contiguous empires of Russia, Austria-Hungary, China and the Ottomans. These latter were multi-ethnic and—using modern sensibilities—in some ways multinational edifices. They all came to an end around the time…
There is sometimes a feeling—it may even be a sort of implied ASEAN policy—that Southeast Asia will, or at least should, converge: that the countries of the region will develop economically and differentials in standards of living will lessen, that the military will ease itself out of politics, that civil society will strengthen. This has,…
There always comes a time when, as people age, events move from being “within living memory” to “history”. There is even more urgency to capture these voices in a place like China where, for reasons of war and turmoil, fewer voices were, on the whole, captured at the time.
Two young girls are snatched off a city street; the crime ripples through the wider community. A story that might have been set anywhere, but Julia Phillips sets hers in Kamchatka, one of the remoter parts of Russia’s remote Far East.
In 2005, on the 600th anniversary of Chinese admiral’s Zheng He’s first voyage, 19-year old Mwamaka Sharifu was plucked from Kenya’s Pate island and granted a scholarship to study in China. She was, it was said, the descendant of a shipwrecked sailor from one of Zheng He’s fleets.
I’ve always found the term “chapbook” off-putting. You’d think poets, being poets, could come up with a better word for what is a shorter-than-normal collection, as prose people did with “novella”.
The harpsichord may be the quintessential European instrument, each touch of the keys evoking powered wigs and sedan chairs. It never really went global as did the piano or violin. One might not therefore expect someone like Tehran-born Mahan Esfahani to be one of the instrument’s premier modern exponents.