Those who know other volumes in the “History in Objects” series from Thames & Hudson and the British Museum will find much that is familiar in this latest one on Japan: a wide and often eclectic collection of objects well-displayed on pages balanced with bite-sized yet informative blocks of text.
Part memoir, part meditation on the practice that Makato Fujimura has popularized as “slow art”, Art Is: A Journey into the Light is pithy yet expressive. In the acknowledgments, Makato Fujimura recalls his publisher’s exhortation to create a “beautiful book” emerging out of the malaise of the COVID-19 pandemic and this is indeed in many…
Jainism, an older contemporary of Buddhism, is rooted in the ideals of austerity. While Buddhism spread outside India, very little is known about Jainism worldwide. Similarly, in terms of art, it is subsumed within the larger Hindu and Buddhist traditions of rock-cut architecture. In terms of painting, the Kalpasutra and Uttaradhyaynasutra are two texts thought…
Bali 1952: Through the Lens of Liu Kang documents a seven-week trip to Java and Bali in 1952 by four China-born and Shanghai-trained Singapore artists—Chen Wen Hsi, Chen Chong Swee, Cheong Soo Pieng and Liu Kang—to sketch and paint tropical beauty.
Ancient India is a new publication and exhibition by the British Museum that explores the shared origins of Hindu, Buddhist and Jain devotional art in figurative imagery of India’s ancient nature spirits. These three of the world’s major religions originated in India and gradually spread to other regions of the world. Between 200 BCE and…
The legacy of empire in Asian is palpable in Lisbon, from the images of Infant Jesus made in gold by Goan craftsmen, to the nambam lacquer screens depicting the exotic Portuguese merchants in Japan. Portugal exited Asia only in 1997 with the return of Macau to Chinese administration, but until now, Asian art in the…
Most people “collect” stuff, but Paul Bromberg is a “collector”, the difference being that he proceeds with intent and purpose, focusing on a relatively narrow group of objects.
The word miniature in fact comes from the Larin miniare or “to paint red”; early European miniatures—palm sized pieces that are parts of manuscripts and books facing a verse or an intense moment in a story or placed behind one—were initially delineated in that pigment. There was an Asian tradition of such painting as well,…
Japanese woodblock prints of the 18th and 19th centuries are, one comes to realize, one of the earliest example of mass commercial art, at least purely secular art, and one that still resonates with modern sensibilities. As testament to their volume, Britain’s Victoria & Albert Museum has, quite literally, tens of thousands of prints, a…
The recently-opened exhibition at Hong Kong’s Palace Museum, “The Origins of Chinese Civilisation”, has a serious purpose, but one suspects that most visitors focus on the objects, as well they might.
Silk Roads is the accompanying publication to the current exhibition on display at the British Museum in London. Written by the Curators of the Silk Roads exhibition, Sue Brunning, Luk Yu-Ping and Elisabeth R O’Connell, this beautifully illustrated publication examines cross-cultural exchanges that occurred across Asia, Africa and Europe during 500 and 1000 CE.
Museums are not having the best press at the moment. In addition to long-running disputes over the Elgin/Parthenon Marbles and Benin Bronzes, there have a been a recent spate of “returns” of items deemed to have been looted or stolen, ranging from a 2700-year-old gold and carnelian necklace in Boston’s Museum of Fine Arts from…
Traude Gavin’s Borneo Ikat Textiles, Style Variations, Ethnicity, and Ancestry is a beautiful book replete with magnificent color plates documenting the author’s fieldwork. Gavin’s research included tracking down examples of a now defunct textile tradition, the warp ikat weaving once practiced by Ibanic-speaking ethnic groups in West Kalimantan.
For years, Andreas von Buddenbrock has been filling sketchbook after sketchbook with ink drawings that all aim to capture the places and people he comes across; from market stalls and their vendors to high rises and dilapidated buildings to lush, winding nature trails.
In 1844, a young Japanese artist named Sakurada Kyūnosuke (1823-1914) happened upon a daguerreotype, an early form of photography that had been invented in France five years earlier. Sakurada, who generally went by the name of Renjō, was at the time an apprentice in the studio of a painter of the Kanō school, a loosely…