Glynne Walley, translator of classic Japanese novel Hakkenden, joins us on the podcast again to talk about his second translated volume: Hakkenden, Part 2: His Master’s Blade. Unlike Part 1—which is all preamble!—in Part 2 we meet some of the fabled eight dog warriors and the Confucian virtues they represent: Shino, for filial piety; Gakuzo,…
The war between the Heike and Genji clans in the 13th and 13th centuries is among the most compelling and significant moments in Japan’s history, immortalized in The Tale of the Heike. Beyond the events recorded in this canonical text, the conflicts of the surrounding years are crucial to medieval Japanese culture and history. In…
As the clock approaches 8 pm, a young boy hears the howling wind and believes it is asking him to come out and play. When his mother informs him that it’s bedtime, Ricky settles down for the night. The wind, however, does not.
Kiyoko Murata’s A Woman of Pleasure is a story of Japan’s pleasure quarters in 1903 and 1904. Fifteen-year-old Aoi Ichi grew up on a rocky volcanic island, “the sort of place where stumbling upon a folkloric demon would come as no surprise”. She always expected to grow up like her mother, a strong swimmer and…
Futaro Yamada, discovered by the hugely influential mystery writer Edogawa Rampo, was hugely prolific in his lifetime, with many of his stories being adapted to film, such as Nagisa Ōshima’s thriller Pleasures of the Flesh (1965) and Samurai Reincarnation (Kinji Fukusaku, 1981). If Yamada’s name is known in the Anglophone world, however, it is usually…
In 1864, on a midsummer’s day, Kawai Koume, a 60-year old matriarch of a samurai family in Wakayama, makes a note in her diary, which she had dutifully written in for over three decades. “There are reports of armed clashes in Kyoto. It’s said that the emperor has ordered the expulsion of the foreigners, and…
Harlequin Butterfly opens on a transpacific flight. Businessman AA Abrams introduces himself to an unnamed, first-person narrator and shows him a tiny butterfly net. “I use this net to go around capturing fresh ideas. That’s my trade,” he says. The rest of the chapter explains who Abrams is and the role of his net in…
“For the first time in my life, I experienced the terror of international limbo, unable to enter any country. What would happen to me? Would I be trapped forever in an airport?” Japan’s 1972 termination of diplomatic ties with the Republic of China left 9,200 Chinese residents stateless. Author Chen Tienshi Lara was one of…
Rental Person Who Does Nothing is a memoir about a project—or perhaps even an experiment—by Shoji Morimoto. Morimoto’s wife encountered a blog post by therapist and self-help writer Jinnosuke Kokoroya that insisted that “people have value even if they do nothing”. Morimoto began to wonder if that is really true. And, if it is true,…
“Perhaps you could call it a stroke of karmic good fortune that I was able to experience a once-in-a-century flood only three and a half months after moving to Chennai.” So opens Yūka Ishii’s The Mud of a Century, winner of the 2017 Akutagawa Prize. The novella’s narrator, a Japanese woman in her mid-late twenties,…
It’s difficult not to compare Kotaro Isaka’s third novel in his loosely connected trilogy to Bullet Train, the book and film that put the series on the map. The Mantis, translated by Sam Malissa, centers around a veteran hitman and includes the same lightheartedness and plot twists of Bullet Train, but stands on its own…
In 1804, a girl was born in Wakayama, the capital city of Kishū domain in mid-Japan. Named Koume (“little plum”), she was born into a family of low-ranking samurai. Her father was a scholar and teacher, as in turn would be her husband, and indeed her son. Although she was a skilled painter and poet,…
Edogawa Rampo (or Ranpo) was one of the most prolific Japanese mystery and crime writers of a century or so ago, and his work has remained in the public eye, whether in Japanese film, manga, video games, or translations. Born Taro Hirai, in 1923 he made his literary debut under a pen name chosen in…
The toy walkie-talkie set Amiko receives on her tenth birthday, one that she bounces with excitement to use with her yet-to-be-born brother or sister, is never successfully played with; there always fails to be a coherent response from the other end. Through flashbacks and snappy dialogue, Natsuko Imamura’s novella This is Amiko, Do You Copy?…
Earlier this month, Toho Studios released “Godzilla Minus One”—the 37th film in the now almost seven-decade-old franchise. Godzilla has gone through many phases over the past 70 years: symbol of Japan’s nuclear fears, cuddly defender of humanity, Japanese cultural icon and, now, the centerpiece of another Hollywood cinematic universe.