Writing Violence: The Politics of Form in Early Modern Japanese Literature, David C Atherton (Columbia University Press, October 2023)
Writing Violence: The Politics of Form in Early Modern Japanese Literature, David C Atherton (Columbia University Press, October 2023)

Edo-period Japan was a golden age for commercial literature. A host of new narrative genres cast their gaze across the social landscape, probed the realms of history and the fantastic, and breathed new life into literary tradition. But how to understand the politics of this body of literature remains contested, in part because the defining characteristics of much early modern fiction—formulaicness, reuse of narratives, stock characters, linguistic and intertextual play, and heavy allusion to literary canon—can seem to hold social and political realities at arm’s length.

Urdu Crime Fiction, 1890–1950: An Informal History, CM Naim (Orient BlackSwan, June 2023)
Urdu Crime Fiction, 1890–1950: An Informal History, CM Naim (Orient BlackSwan, June 2023)

“Humankind, I like to believe, can be divided into two groups: one group swears by science fiction, the other cherishes only mysteries. I belong to the latter.” Thus begins C. M. Naim’s homage to the writers who once provided generations of Urdu-speaking mystery-lovers hours of sleepless delight.

Sinophone Utopias: Exploring Futures Beyond the China Dream, Andrea Riemenschnitter, Jessica Imbach, Justyna Jaguscik (Cambria Press, Martch 2023)
Sinophone Utopias: Exploring Futures Beyond the China Dream, Andrea Riemenschnitter, Jessica Imbach, Justyna Jaguscik (Cambria Press, Martch 2023)

Focusing on counter-narratives that challenge or undermine the grand nationalist Chinese theme, this book studies the ways Sinophone artists, writers, and other cultural agents reimagine a future (world) society that can be more tolerant of cultural, ecological, ethnic, gender and ideological diversity.

India and China share a physical border. Indeed, that is the element of their proximity that stands out the most thanks to the 1962 war, briefly revisited in the form of border skirmishes in 2020. But the two great nations also share common ground in veneration of the Buddha and trade exchanges that span centuries. The Chinese learned about the message of the Buddha from India and, to their immense credit, they also preserved it through translations of the ancient Buddhist texts whose records did not survive in India. This history of healthy spiritual and commercial exchange has more recently been shadowed by increasing distrust and even contempt. Politics and commerce is not however the only way in which two countries have interacted.

“To satisfy Divine Justice, perfect victims were necessary, but the Law of Love has succeeded to the law of fear, and Love has chosen me as a holocaust, me, a weak and imperfect creature” wrote Korean-American artist Theresa Hak Kyung Cha in her 1982 debut novel Dictee. Only two months after its publication, Cha was raped and murdered on her way to meet her husband and friends for dinner in New York City. She was 31 years old. Cha’s novel is  haunting, tragic, and defiant. Written in multiple languages and in a style both enigmatic and experimental, its accessibility is comparable to James Joyce’s Finnegans Wake. Dictee is widely recognized today as a critically important text of postmodern, postcolonial, Asian-American literature and has enthralled scholars of Asian American literature since its publication. Forty years later, University of California Press has produced a restored version of Dictee. With the original cover and high-quality interior layout as Cha had designed them, this book is the most aesthetically appealing edition of the five that have been produced.

Paper Republic is an alliance of Chinese-to-English translators who have come together to promote Chinese literature in English translation, with a focus on new writing. It has now published its own guide to contemporary Chinese literature, a directory of authors and publications prefaced by six essays on different aspects of Chinese writing. Each entry in the directory includes a biography, and a list of selected works, subdivided by form—novellas, short stories, essays, etc.

The Art and Craft of Asian Stories: A Writer’s Guide and Anthology, Robin Hemley and Xu Xi (Bloomsbury Academic, September 2021)
The Art and Craft of Asian Stories: A Writer’s Guide and Anthology, Robin Hemley and Xu Xi (Bloomsbury Academic, September 2021)

An all-in-one craft guide and anthology that examines stories by leading writers from Japan, China, India, Singapore and beyond as well as those from Asian diasporas in Europe and America. While still taking stock of the traditional elements of story such as character, viewpoint and setting, Xu and Hemley let these compelling stories speak for themselves to offer readers new ideas and approaches which could enrich their own creative work.