As Merle Oberon starred in four dozen films during the golden age of Hollywood, she kept a secret that could have immediately destroyed her career: she was biracial and was born and raised in India. While no longer a secret, her story has all but been forgotten. Mayukh Sen’s new biography of Oberon, Love, Queenie: Merle Oberon, Hollywood’s First South Asian Star, the first in decades, uniquely delves into her family’s background going back to Bombay and Calcutta, where she was born and grew up.

Kishore Mahbubani, longtime Singaporean diplomat and academic, opens his new memoir with a provocative line: “Blame it on the damn British.” Kishore, who later served as Singapore’s ambassador to the UN and founding dean of the Lee Kuan Yew School of Public Policy, was born to poor migrants in Singapore, studied philosophy on a government scholarship—and from there, somehow got roped into the foreign service.

In 2019, journalist and writer Peter Hessler traveled with his family to China. He’d gotten a gig as a teacher of writing—nonfiction writing in particular—in what he’d hoped would be a sequel to his 2001 book River Town: Two Years on the Yangtze. But plans changed—radically. At the very end of 2019, the COVID-19 virus emerges in Wuhan, leading to chaos as officials frantically try to figure out how to control the new disease.

For two decades, Singaporean diplomat and author Kishore Mahbubani has been a leading voice among a growing group of intellectuals and pundits publicizing the “Asian Twenty-First Century”, a triumphalist arc where Asian powers—especially a rising China—have cast off the shackles of Western colonialism to assume their “rightful” place atop in the global hierarchy of nations and civilizations. Mahbubani’s oeuvre, dominated by his series of bestsellers popularizing a tale of Western decline and Asia’s rise, has won recognition from a host of audiences ranging from American internationalists and Chinese nationalists.

Today, the Hong Kong Philharmonic is one of the world’s great symphony orchestras. But when John Duffus landed in Hong Kong in 1979 as the Philharmonic’s general manager—its fifth in as many years—he quickly learned just how much work needed to be done to make a Western symphony orchestra work in a majority Chinese city.

Back in the day, everyone went to China, some already famous—Charlie Chaplin, Marlene Dietrich, Eugene O’Neill, Langston Hughes, Mary Pickford—and some who later would be famous, such as Wallis Spencer, the woman who, a marriage or two later as Wallis Simpson, caused the King of England to abdicate. Her time in Shanghai was the subject of later scurrilous (and it would appear, entirely fabricated) rumors about pornographic photographs, bordellos and something called the “Shanghai grip” (best left to the imagination).