Radha Vatsal specializes in mysteries set in World War I-era New York City. Her latest, No 10 Doyers Street, is set a decade before that in 1907 New York City when mayor George B McClellan had grand plans to build new parks and bring safe drinking water to residents of the city. One of these plans included bulldozing Chinatown so it could be turned into one of these planned parks. The star of her book is an Indian female newspaper reporter named Archana Morley who finds herself covering more than one story in Chinatown. The result is a descriptive, engaging thriller set in the dark alleys of New York’s Chinatown more than a hundred years ago.
Historical fiction
Miyoung has left her home in Japanese-occupied Korea to join her older sister in Kyoto to study. As what would be World War 2 begins to loom, and anti-Korean sentiment rises, Miyoung is caught between the need to pass as Japanese and a romance with an activist.
Ukrainian-born nurse Kateryna Ivanonva Desnytska became a Thai princess at the turn of the 20th century as wife of the Siamese prince Chakrabongse Bhuvanath. This story, with echoes of that of King Chulalongkorn and his English tutor Anna Leonowens (immortalized in The King and I) , has obvious potential for artistic adaptation: it was made into a ballet in 2003. A few years earlier, it provided the basis for a historical novel by V Vinicchayakul, the pen name of Vinita Diteeyont, a prolific Thai novelist. In her version, A Passage to Siam: A Story of Forbidden Love, only recently translated into English by Lucy Srisupshapreeda, Kateryna becomes the young Englishwoman Catherine Burnett.
A Slight Angle, the newest novel from Indian writer Ruth Vanita, is a story about love. Difficult love—her six characters are growing up in 1920s India, which takes a dim view of same-sex relationships, and those that transcend religious boundaries. Like Sharad, the jewelry designer who falls in love with his teacher, Abhik—only for the embarrassment to keep them apart for decades.
Anita Agnihotri’s newest novel, translated from Bengali by Arunava Sinha, traces the trajectory of salt from its use as a symbol of resistance against the British Empire in the 1930s to the exploitation of salt farmers in modern-day India. Spanning generations and juggling various points of view, A Touch of Salt is an ambitious novel that questions the fruits of Indian independence. Equally historical and politically relevant, the novel shines a much-deserved light on the Agarias, an often neglected community in western India.
Macau was supposed to be a sleepy post for John Reeves, the British consul for the Portuguese colony on China’s southern coast. He arrived, alone, in June 1941, his wife and daughter left behind in China. Seven months later, Japan had bombed Pearl Harbor, invaded Hong Kong, and made Reeves the last remaining British diplomat for hundreds of miles, responsible for refugees streaming in from China.
Fiction set in the time of Indian freedom struggle draws attention to the lives of ordinary people against the background of great socio-political upheavals. That this period’s history can be juxtaposed with personal stories about being queer is the achievement of translator and scholar Ruth Vanita’s second novel A Slight Angle.
Alexander Grigorenko’s previous book Mebet, set among the Nenets people of the Siberian taiga, was such an unique literary experience that one could be forgiven for opening Ilget, the next book in the trilogy (a rather loose trilogy, it would appear), with some trepidation, anxious that it repeat or at least not surprise in same measure. But if anything, Ilget is better; although-steeped in mythology and the supernatural, as the people it writes about were and are, it feels more rooted in reality and rather than being fully immersed in magic-realism, only dips its toes in it.
Vikramjit Ram’s novella Mansur re-imagines life amongst artists working in the imperial atelier of Mughal India. The emperor Jahangir had a deep interest in flora and fauna and dispatched agents far and wide to acquire exotic creatures that may delight him. It was the imperial painter, Mansur who was credited with capturing the sensitivity of these creatures. Such was the admiration of his works that the title “Rarity of the Present” was bestowed upon Mansur by the emperor.
John Reeves was the British consul in neutral Macau throughout the Second World War. Officially, he reported to Chungking, but in fact he was on his own representing Britain in a very hostile environment. He was utterly unprepared.
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