When Clarissa FitzRoy arrives on South Australia’s Kangaroo Island in October 1836, the heiress is met with the salty spray of the ocean.
At first, it’s a fine mist with the fresh tang of the ocean meeting the shore, but it grows in weight and volume until waves are slapping me, pushing my feet along the rust-bitten deck. In the distance, I see it. The horizon line behind the white clouds, the rolling slope of land.
Clarissa soon compares the water with that of the “limpid warmth of the East Indies lagoon”. Her mind wanders to Calcutta to the Devon shoreline and then back to the Australian shores.Salt Upon the Water, Lyn Dickens (Wakefield Press, October 2025)
Lyn Dickens’s debut novel Salt Upon the Water tells the story of Clarissa, who has travelled to Australia from England to see Colonel William Light, the Surveyor-General of South Australia. Clarissa and William are both of mixed heritage with British fathers and Asian mothers; Clarissa has come to see William as she believes he has information on her mother that Clarissa has long sought.
Told from both Clarissa’s first-person perspective as well as William’s in the third, Dickens moves her characters around the world: South Australia, Calcutta, London, Suffolk, Bath, Venice, Rome and Penang are among the settings. She moves quickly between different locations and time periods, weaving together the lead characters’ complicated histories, alone and en deux (in her accompanying author’s note, Dickens writes that Colonel Light is “inspired” by the historical person, but Clarissa is entirely fictional).Both characters’ mixed heritage comes into focus early.
I had thought we were well suited. Me with my Hindu mother and my Hertfordshire father, and he with his more mysterious origins. A Suffolk father and a mother that was of Siam, Chinese, Malay and perhaps Portuguese heritage. I had thought our differences unified us, but I had not counted on how much he wanted to change his skin.
Clarissa and William each contend with their own identities, struggling in different ways with decisions made by the families, the prejudice they face and, in William’s case, his role in colonial violence.While the novel is set some 200 years ago (there are scenes from 1804 through 1836), some readers may still feel a familiarity with the tensions that William and Clarissa faced with having multiple heritages and multiple ideas of home or perhaps no home at all. In one scene, William speaks of Suffolk as “the only place” where he felt he belonged. Clarissa challenges him.
“And what of your home in Penang?”
His eyes seem to shutter. “What of it?”
As Dickens moves in and out of the past, through different time periods and different countries, there is a sense of tempo and momentum that helps propel the novel. But Dickens can also slow the pace and linger, often with what confronts Clarissa and William on the South Australian Coast.
They said this land was empty and unspoiled. But flotsam already lines the shore. Old rigging, felled trees, splintered cargo boxes. The empty rum bottles that glint to the sand like fragments of the evil eye. The seal carcasses lining the edge of the ocean on Kangaroo Island, giving up their pelts to dark-skinned women who work on them with questioning faces.
Dickens often makes use of the sensory experiences of her settings and her writing is thoughtful, detailed and lyrical. Water plays a role in the novel from Clarissa swimming to shore to William’s comfort in being at sea rather than on land. Dickens uses water and its mythology well to further illuminate the text.Ultimately a love story, Salt Upon the Water explores the different betrayals the characters experience over their lives as well as the similarities in their stories, but also the differences that drive them apart.
In the Middle Ages when representatives of different religions met for formal disputations, they did not cite chapter and verse from their own scriptures, knowing full well that their opponents would not consider these sources credible. Instead, they used common sense. They shared many common assumptions about the nature of reality, the sacred and the…
In 2015, the Paris Climate Agreement hinged on a recalcitrant India. Prime Minister Modi knew that restricting coal could imperil the promises he’d made to the 300 million Indians still living without electricity. Nonetheless, he assented to the Agreement after a meeting with US President Barack Obama. Modi wasn’t won over with arguments over climate…
Kashmir, or more accurately, Jammu & Kashmir (JK), is host to a long running conflict dating back to the partition of India and Pakistan in 1947. Ever since the majority Muslim JK, ruled by a Hindu leader Hari Singh, acceded to India, instead of Pakistan or declaring Independence, a conflict has raged in over the…
Rudyard Kipling’s 1888 short story “The Man Who Would Be King” (well-known thanks to the Sean Connery film by the same name) is about two English ex-army ruffians who want to become kings; they do indeed come to rule a kingdom in Afghanistan. Eventually, the two die when their “subjects” turn against them. Rishi Dastidar…
A trip down south turns out to be more life-changing than a family getaway in this passionate story of sexual awakening set in late 1990s Malaysia. The novel is the first in a planned quartet which follows the Lim family and their struggles with racism, gender, sexuality and, most importantly, inter-generational conflict.
Elisa Shua Dusapin’s debut novel, Winter in Sokcho, won a National Book Award, among others. It was set in South Korea, while her next two novels were respectively set in Japan and Russia. Of Franco-Swiss and Korean heritage, Dusapin has crafted her fourth and most recent novel, The Old Fire, as a homecoming of sorts:…
Sign up to the ARB Newsletter
Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
You must be logged in to post a comment.