Saleem Haddad was born in Kuwait in 1983, of an Iraqi-German mother and a Palestinian-Lebanese father, whose own mother, a Christian, was displaced to Beirut at the formation of Israel. He was raised between various countries, including Jordan, Canada, and the United Kingdom. Before he published his first novel he worked as an aid worker with Doctors Without Borders in conflict zones from Yemen to Syria and Iraq. He is also queer. Various biographical strands thus combine to make him more qualified than most to explore the maxim: the personal is political.

Where does Greece belong? Many look at the ancient Greek ruins of Athens, and see the cradle of Western civilization. But much of Greece’s history actually looks eastward to the rest of the Mediterranean: to Turkey, Egypt, Israel and Palestine. In his book The New Byzantines: The Rise of Greece and Return of the Near East, Sean Mathews argues that it’s best to think about Greece as belonging to the “Near East”—and doubly so with today’s more complicated geopolitics.

In Egypt’s eastern province, the annual Arabian Horse Festival celebrates the deep historical connection between the province, the Arabian horse, and the settlement of Bedouin tribes in Egypt during the 7th century. Except that, according to Yossef Rapoport’s new book, Becoming Arab, this perceived connection doesn’t represent a historical event, but rather a lengthy process of ethnogenesis. For the conquering Arab armies settled in the cities of Egypt, not in the countryside, where Islam remained a minority religion for centuries. Yet today, many Egyptians consider themselves scions of ancient Arab tribes, just as they see their horses as pure blood Arabs. How and when did this Arab identity take hold in Egypt?

Slavery has been a ubiquitous practice throughout much of world history–and the Muslim world was no exception. Slave soldiers, concubines, and eunuchs can be found throughout Muslim writings—which, as Justin Marozzi points out in his book Captives and Companions: A History of Slavery and the Slave Trade in the Islamic World, ends up giving us a selective and narrow view of who slaves were, and what they did.

Our beliefs about the past pass through filters both ideological and physical. Cotton, leather and papyrus all disintegrate with time, but fired clay does not. Hence museums filled with jugs and bowls instead of scrolls and clothing. Still, such a vessel inspired one of England’s most celebrated poems, John Keat’s “Ode on a Grecian Urn”. It seems that Fahad Bishara had a similar epiphany when he beheld a century-old ship’s logbook, or ruznamah. Although written in prose, Monsoon Voyagers evokes Keats by bringing a lost world to life, combining a scholar’s rigor with a poet’s voice.