Nine years in the making, Jemimah Wei’s debut novel is a complicated story of two sisters who found and lost each other amidst the busy, urban, competitive island of Singapore. It provides a glimpse of Singapore without the glitz and glamour, a Singapore in which the expectation of excellence drives a wedge through even the…
Izumi lost her husband and her job. Now she spends her time doing craft projects like sewing handmade stuffed animals. She has come to realize that she spent 20 years acting the role of “successful woman”
The Chao Phraya river, which runs through Bangkok, is the subject of Michael Hurley’s Waterways of Bangkok: Memories, Landscape and Twilights. An ethnographical study of the river, the book portrays not just the river itself, but Bangkok’s relationship with it. Split into five chapters—origins, loss, erasure, belonging and trajectory—the book argues that the Chao Phraya…
It never rains but it pours. From having no English translations of Akutagawa Prize-winning Rie Qudan, three of her novels have (or soon will have) become available in a matter of months, the first two—“Schoolgirl” and “Bad Music”—in a combined volume from Australian publisher Gazebo and Sympathy Tower Tokyo from Penguin in Britain and Summit…
In Kyung-Ran Jo’s Blowfish, two people flirt with death in their own traumatic ways, only to find themselves slowly entangled in one another. Translated from the original Korean by Chi-Young Kim, the novel unfolds through alternating perspectives and flits between Seoul and Tokyo. Blowfish privileges atmosphere over plot, unfolding as a moody and cinematic meditation…
New Story of the Stone by Wu Jianren is one-part fan fiction, one-part historical fiction, and one-part science fiction. A full translation by Liz Evans Weber gives English-language readers access to the early 20th-century novel and a fascinating perspective on a moment in China’s history that speaks volumes about its present and possible futures.
Brahm Saxena summons his family—his wife, daughter and son—to announce that they, especially the children, should not expect anything from him as inheritance. Rohit, the son, is rattled but Tara, the daughter, is financially independent and doesn’t bother about what she doesn’t feel entitled to.
Nan Z Da has been teaching Shakespeare’s play King Lear, she says, for more than six years. One cannot help but envy her students.
Tae Kudo is a neurotic 46-year-old woman who has become something of a hypochondriac in the early months of the coronavirus pandemic. Some of her experiences will be deeply familiar to most readers—like her caution about masking or disinfecting her groceries. Others, like her hyperfixation on conscious capitalism, the environmental impact of her actions, or…
The marketing blurb for Amitav Acharya’s most recent book From Southeast Asia to Indo-Pacific begins, rather portentiously, “Southeast Asia was created by geopolitics, and it might die with it.” The book itself, thank goodness, is a considerably more measured (and clearly-written) overview of how Southeast Asia and ASEAN came to be more or less synonymous…
Zhang Guixing’s Elephant Herd is as complicated and teeming as the rain forest in which it is set. Within this rich natural environment is a family drama, a political drama, and what amounts to a coming-of-age novel in an incredibly violent, and seemingly amoral, world.
Ali Banisadr: The Alchemist is a new publication and exhibition organised by the Katonah Museum of Art and the first major museum survey of Iranian-born artist Ali Banisadr. Covering twenty years of the artist’s practice, the exhibition and catalogue offer a fresh perspective on the artist’s career across the mediums of painting, drawing and printmaking.
The IT sector seems to be concerned with the flow of information across nations. However, it can also be about the flow of emotions. Labour around technology is not only about programming; it can also be about emotional exhaustion. In The Future of Futurity: Affective Capitalism and Potentiality in a Global City, anthropologists Poornima Mankekar…
The noun “Partition” (with a capital “P”) has, in South Asia and perhaps globally, come to mean the 1947 split of India and Pakistan, a climactic event that still roils, if not poison, domestic and international politics.
Aatish Taseer, with roots in England, India, Pakistan, and the USA, appears to be a member of the globalized elite, able to call multiple nations his own. For Taseer, however, there is only one country he calls home. A self-described “Indian writer”, Taseer, for much of his adult life, has distanced himself from his absentee,…