Latest in Non-Fiction

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  • The cover of William Andrew's "Pink Auteur"

    “Pink Auteur, Red Outlaw: Adachi Masao and Japan’s Cinema of Revolution” by William Andrews

    There is an irresistible temptation to read filmmaker Adachi Masao’s life as if it were itself a movie. A Japanese New Wave filmmaker disappears into Lebanon, becomes associated with the Japanese Red Army, spends decades in exile, is imprisoned, and eventually returns home as one of the most controversial figures in postwar Japanese culture. It…
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  • The cover of "La Fregata Novara" by Guido Abbattista and Erica Grossi

    “The Frigate Novara Around the World”

    This is a translated excerpt from La Fregata Novara intorno al mondo — The Frigate Novara Around the World; reprinted…
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  • The cover of "Entangled Empires"

    “Entangled Empires: Four Centuries of China-Russia Relations”

    Xi Jinping and Vladimir Putin know each other well. Since 2013, when Xi completed his ascent to the top of…
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  • “Aurangzeb ‘Alamgir and the Mughal Empire” by Munis D Faruqui

    The battle lines around Emperor Aurangzeb’s posthumous reputations are clearly drawn. On one side, the monumental five-volume history by Jadunath…
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  • The cover of Paul French's "The Last Emperor"

    “The Last Emperor of China” by Paul French

    For most readers and filmgoers, the emotional architecture of the final Qing court was built not by historians but by…
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  • The cover of Michael Dillon's "Shanghai"

    “Shanghai” by Michael Dillon

    Both the subtitle of historian Michael Dillon’s new book Shanghai: The Story of China’s Most Dynamic City and its jaunty pink and yellow cover, punctuated with stylised drawings of the city’s landmarks, suggest this might be a fairly breezy version of the Shanghai story. Certainly, the city seems to encourage such accounts, which often foreground…
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Latest in Fiction

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  • The cover of "A Wedding on the Maharajah Express" by by Prakhar Vishwani

    “Wedding on the Maharaja Express” by Prakhar Vishwani

    The title of Prakhar Vishwani’s debut, Wedding on the Maharaja Express, evokes the classic mystery Murder on the Orient Express. Both, indeed, feature an eclectic cast of characters and a murder on a luxurious train, yet unlike Agatha Christie’s romantically disinterested detective Hercule Poirot, Vishwani’s protagonist Vir Malhotra is head over heels in love with…
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  • The cover of "The Bride at Sixty" by Kyoko Hayashi

    “The Bride at Sixty” by Kyoko Hayashi

    On 9 August 1945, an American plane dropped a nuclear bomb over Nagasaki at 11:01 am local time. It exploded…
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  • The cover of "Northern Tomb" by Isabelle Li

    “Northern Tomb” by Isabelle Li

    Few novelists dare to take on the backdrop of COVID-19 in China but Isabelle Li does not shy away. In…
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  • The cover of "The Pinnacle" by Abir Mukherjee

    “The Pinnacle” by Abir Mukherjee

    Once a major Hollywood star, George Abercrombie’s career has quietly cratered after a string of box-office flops. He has moved…
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  • The cover of Momo Yamaguchi's "Hello, Limerence"

    “Hello, Limerence” by Momo Yamaguchi

    The unusual word “limerence” in the title of Momo Yamaguchi’s debut novel is never in fact used in the book…
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  • The cover of "Fortress Besieged"

    “Fortress Besieged” by Qian Zhongshu

    Born one year before the Republic of China, Qian Zhongshu was to become one of its most revered fictional chroniclers. The cast of Fortress Besieged—the only novel he ever completed—characters were to become stand-ins for a generation of the Republic’s fumbling (pseudo-)intellectuals. The novel follows one Fang Hung-chien, starting with his 1937 return from Europe…
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