“My Grandfather, the Master Detective” by Masateru Konishi
In Tokyo’s Himonya district lives Kaede’s grandfather, a former school principal with a love of mystery novels that he has passed down to his granddaughter.
“The Old Fire” by Elisa Shua Dusapin
Elisa Shua Dusapin’s debut novel, Winter in Sokcho, won a National Book Award, among others. It was set in South Korea, while her next two novels were respectively set in Japan and Russia. Of Franco-Swiss and Korean heritage, Dusapin has crafted her fourth and most recent novel, The Old Fire, as a homecoming of sorts:…
“I Guess All We Have Is Freedom” by Genpei Akasegawa
Genpei Akasegawa (whose given name was Katsuhiko Akasegawa) was already famous as Neo-Dadaist artist when he began writing under the name of Katsuhiko Otsuji, and he soon proved himself able to work fruitfully in both domains, earning numerous awards. I Guess All We Have Is Freedom, beautifully translated by Matt Fargo, brings together five of…
“Andhar Bil” by Kalyani Thakur Charal
“The story here,” Indian Dalit author Kalyani Thakur Charal writes in the introduction to Andhar Bil, “centres round my village, my childhood, my beloved Andhar Bil which has a close, intimate relationship not only with me but also with numerous boys and girls of my village.” Drawing on her lived experience of loss, uprooting, and…
“A Guardian and a Thief” by Megha Majumdar
With A Guardian and a Thief, Megha Majumdar seems to avoid the dreaded “sophomore slump”. Her well-received debut, A Burning, published during the first year of the pandemic, was nominated for a National Book Award. Her second had done even better: a finalist (among other acclaim) in the National Book Awards this year. The novel…
“When the Museum Is Closed” by Emi Yagi
Rika Hourachi has an unusual talent. She’s fluent in conversational Latin. It makes her the perfect hire for an odd position at a nearby museum. The staff needs someone to keep one of their marble statues company. The first century Roman copy of a Greek statue of Aphrodite is lonely. After all, all the other…
“The Summer House” by Masashi Matsuie
Awarded Japan’s Yomiuri Prize for Literature, The Summer House is Masashi Matsuie’s debut novel. Also published as Summer at Mount Asama, the 2012 work reaches English readers through Margaret Mitsutani’s expert translation. Matsuie constructs the story just as his character Sensei, architect Shunsuke Murai designs buildings: with deceptive ease, creating spaces that beckon people to…
“Bhima’s Wife” by Kavita Kané
Indian epics seem to have an endless supply of characters for those who wish to retell the narrative from different angles. In Bhima’s Wife, Kavita Kané keeps Hidimbi at the centre to show the Great War unfolding that brings death and destruction to everyone.
“Grave of the Fireflies” by Akiyuki Nosaka
Studio Ghibli’s 1988 film Grave of the Fireflies has been described as the greatest film someone will only watch once. Deeply emotional, director Isao Takahata’s tale of two Japanese war orphans struggling and failing to survive in the closing days of World War II is almost too painful to bear. But the story isn’t Takahata’s—Grave…
“Spring Castle” by Michiko Ishimure
The Shimabara Rebellion of 1637-38 has long been a shadowy footnote in Japanese history: an uprising of poor farmers and hidden Christians, crushed with such ferocity that 37,000 men, women, and children were slaughtered at Hara Castle. In most textbooks it garners a brief mention, a prelude to the closing of Japan, when the Tokugawa…
“Women, Seated” by Zhang Yueran
In her 1944 essay “Writing of One’s Own”, Eileen Chang wrote “I do not like heroics. I like tragedy and, even better, desolation”. Twenty-one years earlier, in his speech “What happens after Nora leaves home?”, discussing the ending of Ibsen’s A Doll’s House, Lu Xun raised the awkward question of what will become of a…
“The Only City: Bombay in Eighteen Stories”, edited by Anindita Ghose
I was born in Bombay and lived there, not far from the Gateway of India, for the first sixteen years of my life. I left the city by the bay soon after turning sixteen. When I returned decades later, I barely recognised it. The city and I had both gone through dramatic changes in the…
“The Woman Dies” by Aoko Matsuda
Across fifty-odd flash stories (particularly short pieces of fiction) in The Woman Dies, Aoko Matsuda and translator Polly Barton lean into the weird, nitty-gritty world of womanhood. For the most part, there is no immediate throughline connecting the stories—and their rich inner worlds—to each other. Yet eventually, the lines blur enough for images of women,…
“Skin Deep: Contemporary Thai Tales” by V Vinicchayakul
V Vinicchayakul, the pen-name of Vinita Diteeyont, is prolific by any measure, reportedly with more than one hundred novels under her belt, many adapted for television and film. Only a very few have made it into English; had not she been championed by translator Lucy Srisuphapreeda, perhaps none would have been.
“Swallows” by Natsuo Kirino
Natsuo Kirino has a real gift for seeing the worst in people. Her characters cheat, steal, and murder with an apparent lack of remorse that makes them (one hopes) unrelatable for most, but they are at least sympathetic in being partially the result of their bleak environments. Kirino’s hopeless worlds of economic and social pressure…
