“La Bohème” in pictures, Hong Kong, December 2017

Fifteen years have passed between the publication of Hon Lai Chu’s 《缝身》 (“Seam”) and Mending Bodies, its English translation by Jacqueline Leung. Readers who feel those years mark a drift toward dystopia may detect the eerie touch of prophecy in Hon’s writing. Yet she also digs into human problems with neither expiration date nor borders.