Old post
This post was published before January 2026. Some links, images or other content may no longer display or work as originally intended.
A selection of photos from Musica Viva’s “La Bohème”, December 2017.
Hugo Lam, photos. Courtesy Musica Viva, December 2017
Contributor
There is nothing, really, in the title of Fortune’s Bazaar: The Making of Hong Kong to indicate that Vaudine England’s new history centers neither the British colonialists nor the (to a greater or less extent) native Chinese, but rather everyone else—Parsis, Armenians, Baghdadi Jews, Portuguese and Macanese and, in particular, “Eurasians” (a term which merits…
Apparently a good pun does not need to be explained. But this title is no joke. I like puns, and I like words, and many of them made their way to a stage as they developed through different phases in my life. Incidentally, I like Shakespeare too.
For decades, the Hong Kong Police has been known as “Asia’s finest”. Before the handover, the Royal Hong Kong Police (RHKP) helped Hong Kong become one of the safest cities in the world. But it wasn’t always this way. Back in the mid-1970s, corruption had become so serious that after several failed attempts, Hong Kong…
It’s not often, if ever, that Hong Kong holds two opera world premieres in a single week; 2018 is off to a good start.
Madama Butterfly, like Giacomo Puccini’s previous blockbuster Tosca, was born out of a visit to the theatre. In 1900, the composer was in London for six weeks to oversee the opening of Tosca at Covent Garden on 12 July, when he was persuaded to go to the Duke of York’s Theatre for a double-bill of…
To take a photograph, Susan Sontag tells us, “is to appropriate the thing photographed. It means putting oneself into a certain relation to the world that feels like knowledge—and, therefore, like power.” A photograph also preserves evidence and exposes the human condition, which the viewer then appropriates. Old photographs preserve worlds that are gone, but…
You must be logged in to post a comment.