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Originally from Spain, Adolfo Arrantz’s day job is Deputy Head of infographics and illustration at the South China Morning Post. “I usually sketch people while I have a coffee or a beer,” whence these illustrations of quotidian Hong Kong.
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Adolfo Arranz is Deputy Head of infographics and illustration at the South China Morning Post.
While hardly a rarity, Gaetano Donizetti’s comic opera L’Elisir d’Amore (The Elixir of Love) doesn’t usually rank in popularity with the likes of Aida, La Bohème or Carmen. But after a performance such as that which acted as the curtain-raiser for the Macau International Music Festival, it can be hard to understand why not. Effortlessly…
Chinatown Sonnets is a sonnet sequence that updates the age-old idea of East meets West in which West fetishizes East, Hong Kong emulates Paris, Mong Kok is the “Times Square of Asia”, and primetime television in Hong Kong rivals American soap operas in upper class drama.
Musica Viva has recently taken to doing a Mozart opera each year, and this year’s selection of Don Giovanni, when the composer was at the height of his powers, was at the other end of the scale from last year’s La Finta Semplice, written was Mozart was just twelve.
The concept for this new production Madama Butterfly was been influenced the work’s literary background: the western perception of Japan present throughout the autobiographical novel of Pierre Loti (Madame Chrysanthème, 1887) and the diary treatment of the subject by Félix Régamey (The Pink Notebook of Madame Chrysanthème, 1894). These two sources present the protagonist Madame…
Harry Franck died in 1962. This latest edition of his work consists of a few excerpts from his original Roving Through Southern China published in 1925. The original much larger book described two years of roving that took Franck as far as Yunnan, but these excerpts focus on the few months he and his family…
Oksana Dyka brought a powerful voice and stage presence to Opera Hong Kong’s new production of Puccini’s one full-length foray into melodrama which runs through 15 October at the Hong Kong Cultural Centre.
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