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Old post
This post was published before January 2026. Some links, images or other content may no longer display or work as originally intended.
Contributor
Now based in Washington, DC, Agnès Bun is a French reporter who has previously worked out of New Delhi and Hong Kong. She won the Daniel Pearl Award in 2010 and is the author of There’s No Poetry in a Typhoon: Vignettes from Journalism’s Front Lines (Abbreviated Press).
It can be hard to know what is going on in the Russian world of writing and books due to barriers of language; one only really knows what leaks for one reason or another into the English language press. In this regard, Chinese and Russian literature bear some similarities, at least from an English-language perspective…
On the first page of Return to Sri Lanka, Razeen Sally endearingly describes himself as a wonk, ie a technocrat. A political economist and policy advisor on international trade, his writing normally appears in academic journals; this is his first attempt to write something more personal. He was born and grew up in Sri Lanka,…
A round-up of reviews of works in translation from Chinese, including fiction, story collections, poetry, classics and essays.
Another bumper year of podcasts. Here is a selection of a dozen highlights from short stories and pop-classics in translation to biography, history, society and the arts.
A compilation of reviews and other coverage in the past twelve months for Women in Translation month (August 2021): by author, translator and language, including non-fiction and poetry and well as novels and short stories.

How, as we ask every year, did Asia fare in the “Best Books” lists of 2025?