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This post was published before January 2026. Some links, images or other content may no longer display or work as originally intended.
Old post
This post was published before January 2026. Some links, images or other content may no longer display or work as originally intended.
Contributor
Now based in Washington, DC, Agnès Bun is a French reporter who has previously worked out of New Delhi and Hong Kong. She won the Daniel Pearl Award in 2010 and is the author of There’s No Poetry in a Typhoon: Vignettes from Journalism’s Front Lines (Abbreviated Press).
A compilation of reviews in the past twelve months for Women in Translation month (August 2022): by author, translator and language, including non-fiction and poetry and well as novels and short stories.
Agnès Bun’s debut memoir, There’s No Poetry in a Typhoon: Vignettes from Journalism’s Front Lines (translated from the French by Melanie Ho), has been named “Book of the Lunar Year” by the Asian Books Blog. This annual award is decided by a reader poll.
Nicholas Gordon interviews Kishore Mahbubani, author of The ASEAN Miracle.
Western complaints about Chinese-manufactured copies are nothing new. In 1801, a certain Captain John E Swords approached Gilbert Stuart to purchase a copy of the painter’s famous portrait of George Washington. Stuart, who had burned before, extracted a promise from Swords as a condition of the sale that he would have no further copies executed.
A round-up of reviews of fiction in translation from Korean, including two graphic novels, short stories and a rare novel from North Korea.
Nicholas Gordon talks to Neal Goren, music director for the world premier run of the chamber opera Mila at the Asia Society in Hong Kong.